§ 03 Head to head

Tokina 25-75 mm T2.9 CINEMA vs Venus Optics LAOWA 25-100 mm T2.9 Cine

Tokina 25–75mm f/2.8 is 0.1 stops brighter maximum aperture. Laowa 25–100mm f/2.9 has a longer reach.

Both lenses are made for the Canon EF mount: the Tokina 25-75 mm T2.9 CINEMA is a 25–75mm f/2.8 zoom, and the Venus Optics LAOWA 25-100 mm T2.9 Cine is a 25–100mm f/2.9 zoom. On paper the Tokina 25-75 mm T2.9 CINEMA comes out ahead, 4 advantages to 2, but which one suits you depends on what you shoot.

01

Key differences

From manufacturer specifications

Why is the Tokina 25-75 mm T2.9 CINEMA better than the Venus Optics LAOWA 25-100 mm T2.9 Cine?

  • 0.1 stops brighter maximum aperture (f/2.8 vs f/2.9)
  • 41 mm shorter (199 mm vs 240 mm long)
  • Smaller filter thread (86 mm vs 95 mm)
  • Covers a larger sensor format (full-frame vs APS-C)

Why is the Venus Optics LAOWA 25-100 mm T2.9 Cine better than the Tokina 25-75 mm T2.9 CINEMA?

  • Longer reach (100mm vs 75mm)
  • Focuses 14 cm closer (0.6 m vs 0.74 m)
02

Which should you buy?

By use
  • street For street photography, the Tokina 25-75 mm T2.9 CINEMA has the edge: its f/2.8 aperture gathers more light than f/2.9.
03

Specification

16 rows · better value flagged ◆
SpecificationTokina 25-75 mm T2.9 CINEMAVenus Optics LAOWA 25-100 mm T2.9 Cine
Focal length25–75mm 25–100mm
Maximum aperturef/2.8 ◆f/2.9
Minimum aperturef/22 f/22
Lens typeZoom lens Zoom lens
FormatFull frame APS-C
Weight—2500 g (88.18 oz)
Dimensions95 x 199 mm 102 x 240 mm
Minimum focusing distance0.74 m 0.6 m (23.62 inches) ◆
Image stabilizationNo No
Aperture ringYes Yes
Aperture blades9 9
Optical construction18 elements / 15 groups 20 elements / 16 groups
Filter size86 mm ◆95 mm
Lens mountCanon EF, Nikon F, Micro Four Thirds, Sony E, PL Canon EF, Sony E, PL, Canon RF
Released2020 —
Price$4,999 list price —
04

Size

Drawn to relative scale
  • A · Tokina
  • B · Venus
  • 199 × 95 mm
  • 240 × 102 mm

The Venus Optics LAOWA 25-100 mm T2.9 Cine is 41 mm longer than the Tokina 25-75 mm T2.9 CINEMA.

06

Video reviews

4 on YouTube
Video thumbnail for Tokina 25-75 mm T2.9 CINEMA review 1
Video thumbnail for Tokina 25-75 mm T2.9 CINEMA review 2
Video thumbnail for Venus Optics LAOWA 25-100 mm T2.9 Cine review 1
Video thumbnail for Venus Optics LAOWA 25-100 mm T2.9 Cine review 2
07

Questions

Which lens has the brighter aperture, the Tokina 25-75 mm T2.9 CINEMA or the Venus Optics LAOWA 25-100 mm T2.9 Cine?
The Tokina 25-75 mm T2.9 CINEMA opens to f/2.8, against f/2.9 on the Venus Optics LAOWA 25-100 mm T2.9 Cine, 0.1 stops brighter.
Which focuses closer, the Tokina 25-75 mm T2.9 CINEMA or the Venus Optics LAOWA 25-100 mm T2.9 Cine?
The Venus Optics LAOWA 25-100 mm T2.9 Cine focuses down to 0.6 m, against 0.74 m for the Tokina 25-75 mm T2.9 CINEMA.
Do the Tokina 25-75 mm T2.9 CINEMA and the Venus Optics LAOWA 25-100 mm T2.9 Cine have image stabilization?
No, neither lens has optical image stabilization; rely on in-body stabilization if your camera has it.
Is the Tokina 25-75 mm T2.9 CINEMA or the Venus Optics LAOWA 25-100 mm T2.9 Cine better for street photography?
For street photography, the Tokina 25-75 mm T2.9 CINEMA has the edge: its f/2.8 aperture gathers more light than f/2.9.