§ 03 Head to head

Meike 50 mm f/0.95 vs Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT

Meike 50mm f/0.95 is 0.1 stops brighter maximum aperture.

Both lenses are made for the Micro Four Thirds mount: the Meike 50 mm f/0.95 is a 50mm f/0.95 prime, and the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT is a 50mm f/1 prime. On paper the Meike 50 mm f/0.95 comes out ahead, 7 advantages to 0, but which one suits you depends on what you shoot.

01

Key differences

From manufacturer specifications

Why is the Meike 50 mm f/0.95 better than the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT?

  • 0.1 stops brighter maximum aperture (f/0.95 vs f/1)
  • 300 g lighter (420 g vs 720 g)
  • Focuses 15 cm closer (0.45 m vs 0.6 m)
  • More aperture blades (13 vs 9)
  • Smaller filter thread (62 mm vs 77 mm)
  • $150 cheaper ($249 list price vs $399 launch price)
  • Covers a larger sensor format (full-frame vs Micro Four Thirds)

Why is the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT better than the Meike 50 mm f/0.95?

No measurable advantage on paper.

02

Which should you buy?

By use
  • portrait For portrait photography, the Meike 50 mm f/0.95 has the edge: its f/0.95 aperture gathers more light than f/1.
  • low-light For low-light shooting, the Meike 50 mm f/0.95 has the edge: its f/0.95 aperture gathers more light than f/1.
03

Specification

16 rows · better value flagged ◆
SpecificationMeike 50 mm f/0.95Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT
Focal length50mm 50mm
Maximum aperturef/0.95 ◆f/1
Minimum aperturef/16 f/16
Lens typePrime lens Prime lens
FormatFull frame Micro Four Thirds
Weight420 g ◆720 g
Dimensions—102 x 80 mm
Minimum focusing distance0.45 m ◆0.6 m
Image stabilizationNo No
Aperture ringNo No
Aperture blades13 ◆9
Optical construction7 elements / 5 groups 9 elements / 6 groups
Filter size62 mm ◆77 mm
Lens mountMicro Four Thirds, Sony E, Nikon Z, Fujifilm X, Canon EF-M Micro Four Thirds
Released2022 2022
Price$249 list price ◆$399 launch price
06

Video reviews

4 on YouTube
Video thumbnail for Meike 50 mm f/0.95 review 1
Video thumbnail for Meike 50 mm f/0.95 review 2
Video thumbnail for Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT review 1
Video thumbnail for Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT review 2
07

Questions

Which lens has the brighter aperture, the Meike 50 mm f/0.95 or the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT?
The Meike 50 mm f/0.95 opens to f/0.95, against f/1 on the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT, 0.1 stops brighter.
Which is lighter, the Meike 50 mm f/0.95 or the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT?
The Meike 50 mm f/0.95 weighs 420 g, 300 g less than the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT (720 g).
Which focuses closer, the Meike 50 mm f/0.95 or the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT?
The Meike 50 mm f/0.95 focuses down to 0.45 m, against 0.6 m for the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT.
Do the Meike 50 mm f/0.95 and the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT have image stabilization?
No, neither lens has optical image stabilization; rely on in-body stabilization if your camera has it.
Is the Meike 50 mm f/0.95 or the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT better for portrait photography?
For portrait photography, the Meike 50 mm f/0.95 has the edge: its f/0.95 aperture gathers more light than f/1.
Is the Meike 50 mm f/0.95 or the Mitakon Speedmaster Cinema Lens 50 mm T1.0 MFT better for low-light shooting?
For low-light shooting, the Meike 50 mm f/0.95 has the edge: its f/0.95 aperture gathers more light than f/1.
08

Other comparisons